Why the B.C. Missing Women’s Commission of Inquiry fails

“The inquiry is replicating the very same dismissive attitude and the same patterns of systemic marginalization that it is supposed to address.”

Over 200 women blocked traffic and called for a 'new fair, just, and inclusive inquiry that centres the voices and experiences and leadership of women, particularly Indigenous women, in the DTES.' Photo: Courtesy of Union of BC Indian Chiefs

It is more comfortable to dehumanize and judge women living in the DTES, to rob them of their basic dignity, to tell ourselves that the violence of poverty and abuse is their fault because “they are all hookers and lazy addicts.” The reality is that the DTES, the poorest postal code in Canada, is becoming home to an increasing number of women due to societal dynamics of inequality and oppressive government policies that allow for such inhumane realities to persist. Abdicating our responsibility to transform these injustices does not make them disappear or absolve us of our obligations to humanity. Hopefully one day soon we will learn how to affirm the sacredness of all life before another one is lost. RIP Verna Simmard, Lisa Arlene Francis, Ashley Machiskinic.

by  HARSHA WALIA on rabble.ca

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About workequalsworthequalsinnocence

Working with animation, video, painting, drawing, installation and intervention, my interdisciplinary practice examines the complex position of culture within neoliberal capitalism and critiques modes of social control, while exploring the potential for art to function as a site of resistance. I am specifically interested in how modes of violence are perpetuated collectively through popular narratives, concepts of justice and denial of accountability. Frequently engaging with communities and collectives, my practice eschews individual authorship in favour of collaboration. This has included an ongoing commitment to working with women and youth who are in conflict with the law, through the creation of art projects in prisons as well as at numerous centres that support marginalized people. In 2008, I completed an MFA through the Public Art and New Artistic Strategies program at the Bauhaus University (Weimar, Germany). My work has been shown nationally and internationally in festivals, screenings, artist run centres and museums. I am currently employed as an Assistant Professor of Studio Arts at Concordia University. http://jessicamaccormackrmack.tumblr.com/
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